MRT为企业互联网+ 赋能

In 2022, digital collections spread rapidly across the streets with a speed that could not be heard. Not only enterprises that have already communicated with the meta-universe blockchain, but also enterprises and people who have never paid attention to such events before are "involved" in digital collections, which shows its strong development momentum.

Recording art or collectibles through blockchain technology is a poster child for the digital economy. With the rise of the concept of metacomes, digital collections in various forms, such as images and videos, have become the darling of The Times.

Moreover, digital collections are a classic combination of metacomes and publishers. Digital collections have one distinct feature: they are not replicable and can be used as a vehicle for value-added services such as collectibles, circulation and display of art. With the combination of blockchain technology and art, the market prospect of digital art will be broader in the future. Many enterprises also take a fancy to this point, and thus continue to march into the market of digital collections.

So, how can we better understand the concept of digital collection and digital collection?

A digital collection usually refers to a limited number of virtual cultural products, including pictures, music and videos in digital form, as well as 3D models. Their issuance, purchase and use process is recorded through blockchain technology, so that they have unique, non-replicable, modifiable and permanent characteristics, also known as "digital art", "virtual digital goods", "digital collection".

Digital collection as a noun has been one of the most popular nouns in the world since 2021. So far, it has developed into a fast growing industry and attracted more and more members of the public. Digital collections can not only act as liquid carriers of assets, but also appear as physical and digital assets. Many opportunities in supply chain and retail exist in business, with diverse application scenarios and rich functionality.

It is understood that official media such as People's Daily Online and Xinhua News Agency actively launched digital collection platforms. Unlike Internet companies, most state media have embedded digital collections into existing apps and are steadily innovating their business models. Meanwhile, commercial banks such as Industrial and Commercial Bank of China, Baixin Bank and China Merchants Bank issued commemorative digital collectibles to promote marketing to customers. In addition, against the background of strict supervision of digital collections, cultural property exchanges such as Hainan International Cultural and Art Trading Center and Hangzhou International Digital Trading Co., Ltd. have actively explored the compliance application of digital collections in cultural and creative recognition and circulation.

Digital collection is the call of the web3.0 era, is the only way of human science and technology, its appearance means that the web2.0 era to the peak, and began to successfully fission.